Hiram Rho is a junior demonologist at the Royal Academy of Osyth, and also a natural philosopher—in this context, someone who can communicate with animals, rather than a proto-scientist. Unlike the normal magical academy this one is thoroughly modern, complete with all the bureaucratic paraphernalia of academia in the real world; the major difference is in the subjects they study and research, and this is carried through into the rest of the society. Wizards work in construction, sorcerers heal, and alchemists change the nature of reality by their will.
Demonology works by belief, by defining the demon into existence and persuading it to believe what you tell it about itself. A corollary of that is that a demonologist’s own skills & abilities are continually negated by the practitioner’s own necessary academic analysis of them, removing their unquestioning belief in themselves. It’s a much more interesting take on demonology than the more traditional realm-of-hell version, and gives a nuanced take on the iron will and self-belief required of the summoning magician. It’s also a good reflection of the traits it takes to survive in academia!
The book begins with a rather forced infodump about the Institute’s magicians, but I can forgive a scene much for lines like this.
He felt himself go cold and then a comforting thought burst on him like sunlight. He was the one furthest from the door. He’d be the one disemboweled, not the one answering questions.
The character thinking there is Warren, a classic academic middle-manager; the book’s second major plot strand is a rather interestingly metaphysicalized dramatization of his midlife crisis. The first is Hiram Rho’s quest to define his academic path, his career, and his self. He’s a graduate student with all the socialization of a starving badger, torn between two schools of magic which promise him very different things, and unable to trust or like his colleagues. Despite that, he’s still an interesting character to spend time with, and deftly drawn.
The book also features gay characters, without making a special point of it; the world apparently has no problem with homosexuality. The text also treats Rho’s past as a sex worker quite matter-of-factly, and it’s a nice change to see that with a male character.
Overall, definitely recommended for anyone interested in the metaphysical nuts and bolts of wizardry (as distinct from the more traditional kind of magic-system fantasy) or for academics, unless they’re desperately trying to repress flashbacks already.