In my last essay, I talked about two forms of nostalgia, and the characterization of History within fantasy texts. This time around, it’s time for an assertion: it’s much harder for the privileged classes to write literary fantasy than it is for the oppressed and marginalized.
Let’s start with some definitions (do feel free to take issue with them in the comments—I’m not going to be ideological about them):
Literary: of enduring worth; of complexity; supporting multiple disparate readings; possessing novelty or making an original contribution. Layered and polysemous enough that it isn’t immediately accessible in its entirety. Possessing an awareness of itself as a text.
Fantasy: That Which Is Not: a change in the philosophical and/or metaphysical nature of the world, which I’ll tentatively call a diversa after Suvin’s “novum”. A desideratum, or an elegy. Passion is a necessary and perhaps sufficient condition for fantasy; there are some unpleasant words for fantasy without passion. Popular trope fantasy is perhaps the apotheosis of advertising, without any product. It’s normally impossible to tell it from pisstake fantasy.
Privileged: Possessing something inherited or innate that makes life easier for them than most people, and, in general, not aware that this makes a difference. Tending to ascribe their success entirely to hard work or luck. Generally, in the case of fantasy writers, it means “middle-class white cis urban-dwelling Western/minority-world men whose first language is English, and who aren’t disabled”, and it covers most of them.